From intimate still-lifes and portraits, to images that address vital political issues,the groundbreaking artist Wolfgang Tillmans

Born in 1968 in Remscheid, Germany, Wolfgang Tillmans studied at Bournemouth and Poole College of Art and Design. In 2000, Tillmans was the first photographer and first non-British artist to receive the Turner Prize. Exhibitions of his work have been shown around the world and his work is held in major international museum collections including the Art Institute of Chicago; Centre Georges Pompidou, Paris; The Metropolitan Museum of Art, New York; The National Museum of Art, Osaka; Stedelijk Museum, Amsterdam and Tate, London. Tillmans lives and works in Berlin and London. Wolfgang Tillmans has earned recognition as one of the most exciting and innovative artists working today. Tate Modern presents an exhibition concentrating on his production across different media since 2003. First rising to prominence in the 1990s for his photographs of everyday life and contemporary culture, Tillmans has gone on to work in an ever greater variety of media and has taken an increasingly innovative approach to staging exhibitions. Tate Modern brings this variety to the fore, offering a new focus on his photographs, video, digital slide projections, publications, curatorial projects and recorded music. Social and political themes form a rich vein throughout Tillmans’s work. The destabilization of the world has arisen as a recurring concern for the artist since 2003, an important year when he felt the world changed with the invasion of Iraq and anti-war demonstrations. In 2017, at a moment when the subject of truth and fake news is at the heart of political discourse, Tillmans presents a new configuration of his tabletop installation truth study center 2005-ongoing. This ongoing project uses an assembly of printed matter from pamphlets to newspaper cuttings to his own works on paper to highlight Tillmans’s continued interest in word events and how they are communicated in the media. Wolfgang Tillmans: 2017 is co-curated by Chris Dercon and Helen Sainsbury, Head of Programme Realisation, Tate Modern with Emma Lewis, Assistant Curator, Tate Modern. The exhibition is accompanied by a catalogue from Tate Publishing designed by Wolfgang Tillmans and a programme of talks and events in the gallery. With Special Thanks to Wolfgang Tillmans, Maureen Paley and The Tate Modern.